Russian-Greek violinist Alexey Stychkin comes from a family with deep musical and artistic roots. His devotion and love for a wide range of music and culture since a very early age brings an openness and depth to his musical approach. Born in Moscow, Alexey began his violin studies at the Central Music School for Gifted Children in the class of Galina Tourchaninova. He later moved to Belgium to continue his studies with Marc Bouchkov at the Liege Royal Conservatory and recently finished his masters degree Hochschule für Musik und Tanz in Cologne where he studied with Mihaela Martin.

In the 2022-23 season, Alexey was selected as an academy artist in the first violin section of the Staatskapelle Berlin, performing under the baton of Daniel Barenboim, Christian Thielemann, Antonello Manacorda, Lorenzo Viotti and many more. For the 25th Anniversary of the Academy, he will lead the orchestra at the side of Daniel Barenboim. Alexey also won the first ever application place on the Classeek Ambassador Programme. 

Alexey made his solo debut with orchestra at the Great Hall of Moscow Conservatory performing Mozart’s Violin Concerto No. 3 with Moscow State Orchestra and further orchestral appearances have included Sibelius Violin Concerto in Gent with GUSO orchestra, Tchaikovsky Violin Concerto in Moscow with Russian Philharmonic, Bach Concertos with Maestro Reinhard Goebel and musicians of Villa Musica. Alexey has also performed with the Klassische Philharmonie Bonn as concertmaster on numerous tours, and most recently led the Santander Festival Orchestra under the direction of Maestro Jaime Martín.

His chamber performances include collaborations with artists like Kirill Gerstein, Marc Bouchkov, Kristof Barati, Kian Soltani and Stephan Dohr. Other recent and upcoming performances include Festival d’Aix-en-Provence, Festival “Samoborska Glazbena Jesen” in Croatia, Erfurt Music Festival, Leopold Auer Music Festival and more.  Alongside his classical career, Alexey writes music from electronic to orchestral, with a passion for expanding his horizons and combining music and art forms; having written music for film, brands, and more.

Violin

Alexey Stychkin

Alexey Stychkin Takes the Stage in Geneva’s Bâtiment des Forces Motrices with Camerata Venia

Alexey Stychkin talks about the Ambassador Programme, the Staatskapelle Berlin, his experience at the Kronberg Academy and his openness to chamber music and working with other artists, in this interview with Benjamin Woodroffe. 

Alexey Stychkin Interview

with Benjamin Woodroffe

Winning the place on Classeek's first ever open application, violinist Alexey Stychkin joins the Classeek Ambassador Programme for the 2022-23 season.

Russian-Greek violinist Alexey Stychkin comes from a family with deep musical and artistic roots. Born in Moscow in 2000, at the age of five he started his violin studies at the Central Music School for Gifted Children in the class of Galina Tourchaninova. During his school years, he performed in Greece, Israel, Italy and throughout Russia. He has continued his studies with Marc Bouchkov in Liege Royal Conservatory. Currently, Alexey is studying with Mihaela Martin in the masters program at the Hochschule fur Musik und Tanz in Cologne. Concurrently, starting with the 2022/23 season, he has received an academy position in the first violin section of the Staatskapelle Berlin and moved to Berlin. 

Alexey Stychkin  | Tchaikovsky  - Souvenir d'un lieu cher, Op. 42 -  No. 3 Mélodie

Classeek Showroom performance, 24 May 2023

Russian-Greek violinist Alexey Stychkin comes from a family with deep musical and artistic roots. Born in Moscow in 2000, at the age of five he started his violin studies at the Central Music School for Gifted Children in the class of Galina Tourchaninova. During his school years, he performed in Greece, Israel, Italy and throughout Russia. He has continued his studies with Marc Bouchkov in Liege Royal Conservatory. Currently, Alexey is studying with Mihaela Martin in the masters program at the Hochschule fur Musik und Tanz in Cologne. Concurrently, starting with the 2022/23 season, he has received an academy position in the first violin section of the Staatskapelle Berlin and moved to Berlin. 

Alexey Stychkin & Raúl da Costa | Cesar Franck - Violin Sonata

Classeek Showroom performance, May 2023

Alexey Stychkin & Raúl da Costa | Ravel - Sonata in G 

It is with great pleasure that we present violinist Alexey Stychkin's debut recital on the Classeek Ambassador Programme, featuring a captivating duo performance alongside pianist Raúl da Costa. The technical prowess of both musicians will be placed under the microscope this evening, with a range of demanding, diverse and highly expressive works.

The recital opens with one of Ysaÿe’s six violin sonatas, written in the early 20th century and representing the evolution of musical techniques and stylings of the time. Each sonata is dedicated to a fellow virtuoso of Ysaÿe, who was himself a celebrated violinist. The second plays homage to Ysaÿe’s friend and mentee, Jacques Thibaud, a violinist renowned for his elegant phrasing and charming tone. While the complete set of sonatas were inspired by the sonatas and partitas of JS Bach, Sonata No. 2 is subtitled ‘Obsession’ because of its particularly notable preoccupation with the great Baroque composer. The piece opens with a reference to the prelude of Bach’s Partita No. 3, which is soon dissected by Ysaÿe, who blends it with references to the Dies irae plainchant from the traditional Requiem mass.

It was Ysaÿe who, in turn, provided the inspiration for the next piece in tonight’s programme. Franck’s lone violin sonata was penned as a wedding present to Ysaÿe and his new wife, Louise Bourdeau, when they married in 1886, and quickly became a mainstay of Ysaÿe’s touring programmes around Europe. Imbued with lyricism and introspection, it has become a beloved gem in the Romantic repertoire, shifting between dramatic and delicate as the violin and piano dance around one another.

Ravel began writing his Second Violin Sonata in 1923, the very same year Ysaÿe wrote his sonatas. Unlike Ysaÿe however, Ravel wasn’t interested in the seamless interplay between the violin and piano. Instead, his focus was on their independence, describing the instruments as ‘essentially incompatible, which not only do not sink their differences, but accentuate incompatibility to an even greater degree.’ In this sonata, he celebrates their own distinct identities. As is the case in several other of Ravel’s works – not least his opera L’enfant et les sortilèges and his two piano concertos – the sonata pays tribute to the composer’s love of jazz, with its central movement ‘Blues’ referencing the American idiom with syncopations, honky-tonk rhythmic patterns and violin slides. Stychkin and da Costa will showcase Ravel’s unique blend of impressionistic and neoclassical elements in the intricate dialogues within this sonata.

From Ysaÿe’s technical brilliance to Franck’s emotional depth and Ravel’s innovative sonorities, this promises to be a fine display of music-making at its most dynamic, showing the full expressive range on offer to the violin.

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Alexey Stychkin

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